This is an official short biography for concert programs:
Christine Whittlesey began piano training at 5 and voice at 15, studied at Tufts U., Boston and New England Conservatories with Iride Pilla and John Moriarty. Won the Met. Auditions (New England) at age 21. Soloist with the New York Pro Musica Antiqua, opera in Boston, Santa Fe and Washington. In Germany from 1981, opera in Berlin, Gelsenkirchen, Basel (Konstanze, Susanne et al.). In demand for contemporary music, she was frequent soloist with the Ensemble Modern, the Ensemble Intercontemporain, London Sinfonietta, the Ensembles Kontrapunkte and Klangforum (Vienna). Operatic world premieres include Olga Neuwirth’s “Bählamms Fest”, Wolfram Wagner’s “Wenn der Teufel tanzt”, Hugo Käch’s “Paracelsus”, and Gerhard Schedl’s “Riesen, Zwerge, Menschenfresser”.
World premieres in concert include works by Rihm, Glanert, Schedl, Birtwistle, Staud, Pernes, W.Wagner. Orchestras with which she has sung include the Vienna Symphony and RSO, the Hessian Radio and SWF Orchestras, BBC Symphony, the Netherlands Radioorkest. She has worked with Boulez, Gielen, Keuschnig, Rilling, Muti, Penderecki, Nagano, Metzmacher, Cerha, and Thielemann. Lied partners included Gidon Kremer, Pierre-Laurent Aimard, Oleg Maisenberg, Rainer Keuschnig, and Robert Levin. Soloist at many renowned music festivals, including Wien Modern, Wiener Festwochen, Lockenhaus, the Salzburg Festival, RuhrTriennale, Witten, Donaueschingen and Darmstadt, Steirischer Herbst, Styriarte, Klangspuren Schwaz, Carinthischen Sommer, Edinburgh,Spoleto, and Kobe. Her many CD recordings include Schönberg’s String Quartet No.2 and Kurtág’s “Scenes from a Novel”. Her Mahler Symphony No. 4 won the Grand Prix du Disque. She sang the female lead in the Straub-Huillet film production of Schoenberg’s opera “Von heute auf morgen”. Since 1991 Professor of Lied and Oratorio at this University and responsible for the category Lied-Duo in this competition.